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A Little Life
James Norton stars as the mysterious and troubled lawyer Jude St Francis, whose torments and struggles are gradually revealed to his three beloved friends as time goes by. Despite the changes in the men’s lives and circumstances, they stand by each other. Only after many years do they realise the extent of Jude’s terrible suffering. This is the director Ivo van Hove’s acclaimed adaptation of A Little Life, adapted from the best-selling novel by Hanya Yanagihara, which was nominated for a Booker Prize in 2015. It’s epic.
Prepare to spend three hours forty minutes, including the interval, exploring an incredible story that has touched hearts across the world, raw and painful yet uplifting. This is the play’s English language stage premiere, on at the Harold Pinter Theatre for 2023. A much-anticipated production, it also stars Luke Thompson (Bridgerton, Hamlet), Omari Douglas (It’s A Sin, Constellations), Zach Wyatt (The Witcher, I and You), Elliot Cowan (The Crown, 2:22 A Ghost Story), Zubin Varla (Tammy Faye, Equus), Nathalie Armin (Force Majeure, The Doctor), and Emilio Doorgasingh (Best of Enemies, The Kite Runner). Expect a genuine intellectual and emotional tour de force.
Audience Latest Reviews
Reviews Summary based on 16 reviews
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Meaningful piece of theatre Only occasionally does theatre actually change the way I feel about myself....this did
Alyson, 27 Jul 2023
Emotional Showdown Expect Emotional Showdown. Moving story
Max, 07 Jul 2023
If you’ve the emotional bandwidth…don’t miss this. It’s not often I cry at the theatre. It takes a lot. But at this play “A little life”, I held my breath.
I couldn’t watch or bear to look but I was compelled to by the startling honesty of the performances by this premiere cast.
JAMES NORTON
LUKE THOMPSON
OMARI DOUGLAS
ZACH WYATT
ELLIOT COWAN
ZUBIN VARLA
NATHALIE ARMIN
EMILIO DOORGASINGH
“A little life” (directed by Ivo van Hove and based on the novel by Hanya Yanagihara) tells of four men, aspiring in their late 20’s early 30’s to make something of their lives and of their friendships. At the centre of the story is a vulnerable and sick Jude. Physically sick but emotionally tortured from his abusive childhood. The play nor the direction leave the audience in any doubt of the brutality of sexual, physical and mental abuse. There is much darkness and much shocking candid delivery of the harrowing nature of it all. A lot of blood, a lot of nudity, a lot of grave and sickening scenes of sexual assault and self harm. A lot of scenes so traumatising that you almost want to shout out for it to stop. The fact that you can’t intentionally makes you feel guilty.
It becomes clear why Jude, so deeply loved by his friends, doctor and adoptive father, can’t feel nor recognise what love is. It’s tender and moving to watch him find moments of it in his relationships but terrifying to watch him hurt himself (and be tortured by many adult men) when the demons from the past haunt him again.
James Norton sings Mahler like it’s a childhood nursery rhyme ..a theme tune of his life.
I am lost to the world
With which I used to waste much time;
It has for so long known nothing of me,
It may well believe that I am dead.
Nor am I at all concerned
If it should think that I am dead.
Nor can I deny it,
For truly I am dead to the world.
I am dead to the world’s tumult
And rest in a quiet realm!
I live alone in my heaven,
In my love, in my song!
There were many scenes where, in the full house at the Savoy, the audience cried out or gasped audibly. Jude’s journey is like a parable or a morality tale we are all responsible for allowing to unfold. There’s an onstage audience watching his every attempt to hurt or suicide with scenes from New York racing faster as his harming gets close.
Kindness. That’s the message. That we don’t know the suffering of other people so we must try to extend kindness. James Norton was devastatingly fragile in his depiction of the tortured Jude. The rest of the cast were so naturalistic and compelling I forgot that it was a play several times and not an improvisation. Superlative acting..a Masterclass. Every single character was rivetingly depicted.
Go see it at the Savoy. There are moments of levity..not many. But there are. I cried all the way home at the capacity man has to break another and to love another.
3 hours and 40 mins I will never forget.
Worthy of a full house leaping to their feet at the close.
Arlene, 06 Jul 2023
Intensely emotional An amazingly intense emotional performance, superb acting from a great cast. The length of the show was not an issue at all as I was captivated throughout by the quality of this production.
Julie, 05 Jul 2023
Unsure I’m a regular theatre goer and also a James Norton fan i fact he is my favourite actor which is why I booked the tickets .
However the darkness of the play was very disturbing and I felt too much .Although I had read a bit about the play I was not prepared for the extent of the shocking scenes . Not being gay I found the sex hard to watch and my husband did not return for the second half . However I appreciated that the acting was amazing to play these parts especially James Norton . Hold not really recommend it too many .
Teresa, 09 Jun 2023
Awesome play too rate acting Book portrayed brilliantly into this play
Alison, 03 Jun 2023
Excellent GO to this show
Robert, 19 May 2023
Best thing I’ve seen on the London stage in years Fantastic performance. Serious subject.
Christopher, 14 May 2023
Gripping performances by whole cast A Little Life is a hard watch due to subject matter but absolutely amazing in terms of theatre performances and experience! It is a long play but I was gripped the whole time. I would describe it as heartbreakingly compelling.
Jill, 04 May 2023
An emotional rollercoaster! I thoroughly enjoyed this production due to the masterclass in acting given by James Norton ably supported by the rest of the cast especially Luke Thompson. Although long and emotionally draining, I was totally absorbed in the story and the performance flew by. Not for everyone, it was nevertheless a realistic portrayal of abuse and its long term effects.
Rod, 23 Apr 2023
A Little traumatising…in a good way If you have read the book you may have wondered how it could transfer into a stage play. The performances are excellent but some of the detail of the novel has been last in the edit. Nevertheless it works as a play although much of it is difficult to watch.
Audience members were late and others couldn’t last the long first act without going to the toilet which was disruptive given the nature of the production.
Sarah, 21 Apr 2023